Addressing concerns regarding the negative effects of UV sunlight and energy loss from the single glazed windows was our first design task. We investigated multiple methods of screening the gallery windows, without losing contact with the strong sense of organization they bring to the original interiors. Various screening methods were modeled in the South Gallery and evaluated with respect to expression of the window locations and proportions vs. protection and neutral locations for the varying art objects to be displayed.the best solution, shown at right, and in the sketches opposite, echoes the window proportions with a screening wall, and filtered UV free reflected light marks the windows existence while allowing flexibility in the placement of the art.